Restored
when you revisit -
refreshed the pane stares back at you.
Through the looking glass
what once felt a bittersweet torture -
the years apart -
has become
a lopsided work of art.
'...changing the form of one's mission's almost as difficult as changing the shape of one's nose:
they are, each, in the middle of one's face and one's character - one has to begin too far back.'
― Henry James. The Portrait of a Lady.
Showing posts with label secrets. Show all posts
Showing posts with label secrets. Show all posts
Tuesday, September 4, 2018
Sunday, August 9, 2015
The ghosts have incapacitated me
Why is it that the ghosts of our past haunt us even after a decade is old?
And thus, veiled in allusions and metaphors and sorry songs,
Mourning wracks and wrecks the soul.
No names cross my lips, but the story is told.
And thus, veiled in allusions and metaphors and sorry songs,
Mourning wracks and wrecks the soul.
No names cross my lips, but the story is told.
Wednesday, May 22, 2013
the undergraduate
a poem for two
for memories' sake inhale
sweet quince and milk chocolate
roughly, stubbled cheek on mine
the nighttime effervesces
an aged, brittle me-ss morphs into you-ngness
a fearful asymmetry
burning bright
burning bright
it heats the night
to enwrap ourselves as one
only with one eye on the door
one ear on the driveway
adrenalin pumping
surreptitiousness
into pleasure -
making
half-smiles
half-smiles
and muffled noises
redouble
inward esctasy.
I was young once
you are young now
is what my hands tell me
they go places long forgotten
have I never loved before?
they never knew my hands before
they just needed feather dustin'
faded jeans and young hands
loosen old knots and loosed love
while time ticks on
embers die off
leaving the unbearable cold deadweight of duty
a whiff of quince and
the scent of Cacharel
has a hot headiness of its own
to be enjoyed
only with another eye on the door
only with another eye on the door
another ear on the driveway
adrenalin pumping
blood rushing
into pleasure -
making
half-smiles
half-smiles
and muffled noises
redouble
unforgotten
unforgotten
Wednesday, August 25, 2010
Caught dancing en arabesque, first and last
Today I was talking with a friend and it got me revisiting Carla Bruni, who IMHO, has the sexiest voice ever, when she sings in French (don't even get me started on L'excessive). I've been almost reluctant to listen to her English songs for fear of ruining her impossibly sexy appeal. But I had iTunes on shuffle, and realised that the song titles, and the lyrics were oddly familiar...
Googling worked wonders to discover that...she was singing some of my favourite poets! Serendipity ftw!
At Last the Secret is Out
Googling worked wonders to discover that...she was singing some of my favourite poets! Serendipity ftw!
At Last the Secret is Out
W.H. Auden
At last the secret is out, as it always must come in the end,
the delicius story is ripe to tell to the intimate friend;
over the tea-cups and into the square the tongues has its desire;
still waters run deep, my dear, there's never smoke without fire.
Behind the corpse in the reservoir, behind the ghost on the links,
behind the lady who dances and the man who madly drinks,
under the look of fatigue, the attack of migraine and the sigh
there is always another story, there is more than meets the eye.
For the clear voice suddently singing, high up in the convent wall,
the scent of the elder bushes, the sporting prints in the hall,
the croquet matches in summer, the handshake, the cough, the kiss,
there is always a wicked secret, a private reason for this.
the delicius story is ripe to tell to the intimate friend;
over the tea-cups and into the square the tongues has its desire;
still waters run deep, my dear, there's never smoke without fire.
Behind the corpse in the reservoir, behind the ghost on the links,
behind the lady who dances and the man who madly drinks,
under the look of fatigue, the attack of migraine and the sigh
there is always another story, there is more than meets the eye.
For the clear voice suddently singing, high up in the convent wall,
the scent of the elder bushes, the sporting prints in the hall,
the croquet matches in summer, the handshake, the cough, the kiss,
there is always a wicked secret, a private reason for this.
Those Dancing Days Are Gone
Come, let me sing into your ear;
Those dancing days are gone,
All that silk and satin gear;
Crouch upon a stone,
Wrapping that foul body up
In as foul a rag:
I carry the sun in a golden cup.
The moon in a silver bag.
Curse as you may I sing it through;
What matter if the knave
That the most could pleasure you,
The children that he gave,
Are somewhere sleeping like a top
Under a marble flag?
I carry the sun in a golden cup.
The moon in a silver bag.
I thought it out this very day.
Noon upon the clock,
A man may put pretence away
Who leans upon a stick,
May sing, and sing until he drop,
Whether to maid or hag:
I carry the sun in a golden cup,
The moon in a silver bag.
Those dancing days are gone,
All that silk and satin gear;
Crouch upon a stone,
Wrapping that foul body up
In as foul a rag:
I carry the sun in a golden cup.
The moon in a silver bag.
Curse as you may I sing it through;
What matter if the knave
That the most could pleasure you,
The children that he gave,
Are somewhere sleeping like a top
Under a marble flag?
I carry the sun in a golden cup.
The moon in a silver bag.
I thought it out this very day.
Noon upon the clock,
A man may put pretence away
Who leans upon a stick,
May sing, and sing until he drop,
Whether to maid or hag:
I carry the sun in a golden cup,
The moon in a silver bag.
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