Movement is life

What it is about art, that the impetus for production is repression and deprivation? War, sickness, separation. Death. Unresolved love. Crises of the spirit catalyse art. The more we repress the subconscious it seems, the more active it becomes, the more its activity seems to bleed into consciousness and find an eventual manifestation.

The other day I was having a conversation with an Israeli about how much I loved the Israeli approach to movement, and how much respect I had for their movement techniques such as gaga and Feldenkrais. I reflected on how dancers here possess a totality of movement that seems to come from a much deeper attunement to the mind-body connection. She said with a sense of humour that it was because in Israel, where we are surrounded on all sides by the intensity of conflict, war, and crisis, we search for something else to focus on with greater intensity. We search within ourselves.

Perhaps it was environmental pressures that selected Israel to become the mecca of contemporary dance it is today. Richard Wolpert hypothesises that the mind was made to move; that the nervous system was evolved to allow complex movement, citing the example of the sea squirt, which digests its own nervous system for food once it has settled on the rock it will call home. It no longer needs to move, so it no longer needs its brain.

The humble sea squirt, incidentally,
may also present a potential treatment for mesothelioma.

There is something deep within us that needs to move. Whilst it stretches the metaphor to say the sedentary lifestyle is eating our brains and causing strokes, even in the language of evidence based medicine, we know this to be true.

We are in a generation which venerates the mind and dismisses the body. Yet the language of movement is impossible to quantify and analyse through the language of cerebral science alone. It needs to be embodied to be fully understood. That is what dancers do. Research movement. The connection of movement to the body, the connection of moving bodies to each other, the connection of movement to rhythms.

As the world turns to the advancements of medicine and technology for the elixir of health and youth, there is a need to return to the arts. To come back to what is within us, the fundamentals of who we are, and embrace and enjoy what it is to be humans - minds made to do, and to move.