Saturday, August 28, 2010

Pins and needles

[SPOILER ALERT]

I watched an episode (4) of House, M.D.: Season Five today in which an adopted Chinese girl sets out in search of her birth parents, and ends up gravely ill.

In the end, it is discovered that her parents placed pins into her brain in an attempted murder, because China had a one-child policy, and the parents wanted a boy.

When her adoptive parents hear the diagnosis, they request that she not be told that her parents attempted to kill her because they didn't want her. They understand her to be emotionally fragile and fear that she may react badly, especially as she had history of alcoholism and smoking. However, the doctor explains that the pins pierce through specific areas of her brain, including her addiction centre (I'm guessing the VTA / some part of her mesolimbic system).

"She may not be as fragile as you think," the doctor says.

"We know our daughter," they respond.

He says, "It's not her fault, she's not who you think she is."

[/SPOILER ALERT]

How much of how we behave is really comprehensible to the people around us? It's so easy to look at someone who's a drug addict, or who's got problems stealing, or with violence, and to say, "I'm not like that. How can they go about ruining their life like that..." It's so easy to judge others, and delineate them as different from ourselves.

But do we really understand exactly what's going on in their lives, in their minds? How much of what they think and do is really of their own volition? If you were placed in that situation, with that brain chemistry, can you say with conviction that you would choose to not be a druggie?

In fact, when you stop and thinking about it, how much of what we think is in our conscious control? That girl had physical, metal pins in her head that affected her and caused her to behave differently than what is biologically considered to be normal. But we have pins too. Maybe they don't seem to be there in a literal sense, but our genes code for our neurocircuitry, and much of our behaviour is learnt and imprinted on us by our environments. Although it may be slippery slope to say that free will does not exist, perhaps it is a less evenly free playing field than we imagine it to be for the other person.

It seems strange to think it, but I think what Sara Crewe, a privileged heiress, says about Becky, a poor servant girl in the same boarding school, about sums it up:
"Why," she said, "we are just the same--I am only a little girl like you. It's just an accident that I am not you, and you are not me!"
- A Little Princess, Chapter 5, Frances Hodgson Burnett
It is a scary thought, perhaps. Especially when we pause to consider that we are not so very different from the people we disdain or dislike, as much as we would like to believe it. In reality, there is perhaps little besides God's grace, or "accident", that separates one person's personality or fortune from another.

But ultimately, I think these thoughts point us in quite a refreshing direction in attempting to relate to other people: understanding, respect and love. Even of the less than loveable.

Wednesday, August 25, 2010

Caught dancing en arabesque, first and last

Today I was talking with a friend and it got me revisiting Carla Bruni, who IMHO, has the sexiest voice ever, when she sings in French (don't even get me started on L'excessive). I've been almost reluctant to listen to her English songs for fear of ruining her impossibly sexy appeal. But I had iTunes on shuffle, and realised that the song titles, and the lyrics were oddly familiar...

Googling worked wonders to discover that...she was singing some of my favourite poets! Serendipity ftw!

At Last the Secret is Out
W.H. Auden

At last the secret is out, as it always must come in the end,
the delicius story is ripe to tell to the intimate friend;
over the tea-cups and into the square the tongues has its desire;
still waters run deep, my dear, there's never smoke without fire.

Behind the corpse in the reservoir, behind the ghost on the links,
behind the lady who dances and the man who madly drinks,
under the look of fatigue, the attack of migraine and the sigh
there is always another story, there is more than meets the eye.

For the clear voice suddently singing, high up in the convent wall,
the scent of the elder bushes, the sporting prints in the hall,
the croquet matches in summer, the handshake, the cough, the kiss,
there is always a wicked secret, a private reason for this.


Those Dancing Days Are Gone

Come, let me sing into your ear;
Those dancing days are gone,
All that silk and satin gear;
Crouch upon a stone,
Wrapping that foul body up
In as foul a rag:
I carry the sun in a golden cup.
The moon in a silver bag.

Curse as you may I sing it through;
What matter if the knave
That the most could pleasure you,
The children that he gave,
Are somewhere sleeping like a top
Under a marble flag?
I carry the sun in a golden cup.
The moon in a silver bag.

I thought it out this very day.
Noon upon the clock,
A man may put pretence away
Who leans upon a stick,
May sing, and sing until he drop,
Whether to maid or hag:
I carry the sun in a golden cup,
The moon in a silver bag.

Sunday, August 8, 2010

Vocal displacement


Old man in young boy.


Black woman in white woman.

 Rockferry (Deluxe Edition) Endlessly